The Draft Creative City Strategy reflects feedback from engagement and consultation, and offers a practical framework how the City as a whole organisation can provide stewardship, ignite opportunities, connect people and advocate for creativity.
Thank you for your input in first round of engagement. We are ready for your feedback on the draft!

What is the Creative City Strategy?

The vision includes four outcome areas: Champion, Custodian, Curator and Catalyst. These outcome areas describe the role the City takes to support creativity. Click through to learn more about the objectives of each area and the strategies proposed.

Have Your Say

Have your say on the draft by completing the survey, and read about the different engagement opportunities that the community had last year.

Creative City Survey

Creative Places and Spaces

Public Conversation

We held a face-to-face public conversation on Wednesday 12 November, 12pm-1.30pm so people could share their thoughts in person.

Kids Workshop

Postcards from the future

As part of the Tasmanian Museum and Art Gallery School holiday program, there was a free session for families and children to explore the role creativity plays in our city. It was held on Friday, October 10, 10am-1pm.

What a creative city means to you...

Here's what we heard from Engagement Round 1.

People want Hobart to have...

People want Hobart to feel easier to navigate and participate in, with clear information, multilingual communication, a unified city-wide events calendar, and a sense of invitation. Families and young people emphasised safety, belonging and feeling welcome in the city’s cultural life.

People highlighted the need for stronger Palawa engagement, visibility and storytelling, with Tasmanian Aboriginal culture and creativity embedded across the city’s cultural activity and public spaces.

People consistently named the river, mountain, wind, darkness, weather, and seasons as defining elements of Hobart’s creative character. They want creative work to embrace these natural rhythms through playful, seasonal, place-specific, and environmentally responsive programming.

There was strong demand expressed for accessible and flexible spaces: rooftops, warehouses, laneways, parks, neighbourhood hubs, and underutilised buildings. Children and families highlighted the need for playful spaces, opportunities to make and perform, and accessible places to spend time together.

Across groups, there was enthusiasm for a city that encourages experimentation: popups, ad-hoc stages, small-scale activations, light-based experiences, street parties, kites, and creative surprises woven through everyday life.

People want Hobart to feel inclusive: free or low-cost events, accessible design, quiet spaces, sensory-aware programming, multicultural events, family-friendly night-time offerings. This was continually underpinned by improved transport connections.

Children, young people and sector practitioners highlighted the need for pathways: mentorship, practice spaces, creative careers, agency, and opportunities to contribute to the city’s cultural future.

Collaboration across creative sectors, Councils, institutions, UTAS and communities is seen as essential. Shared infrastructure, precinct collaboration, and co-programming were widely supported.

Consistent with internal staff insights, the public called for simpler processes, clearer pathways for getting things done, easier compliance, reduced duplication and better cross-unit coordination.

The City needs to be trustworthy and trusting in its processes, programs and partnerships with the sector and the wider community. This is about clarity of purpose and process.